The idea is this - two minute visual and mental evaluation of the subject to sketch without doing the actual sketching and employing the "eyes open/eyes closed" moment to lock in on the image in mind. I try to get an imprint of the whole subject, focusing on the darker lines first, and letting that sink in into my mind. Once the two minute time was up, I started sketching the jar and discovered the relative ease. I should look more into this approach and see if I can replicate the results. It could be a key to faster sketching.
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Adding the tile lines made it more pleasing, I think. |
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